| 4. Dimora di Maria al Tempio |
 |
| THE CHAPELS [Internet Explorer 6 only] | |||
|
Architettura  The community of Pralungo was the commissioner of the chapel, which was initiated in 1662. The works proceeded with various interruptions until 1673, started anew in 1711 and were finally and rapidly completed. The architecture is unusual, a cylinder sided by four lower, diametrically opposed apses. The juxtaposition of the two geometric figures renders the cross-form ground plan atypical. The edifice ends with a cupola, whose structure is externally hidden by the tiburium and surmounted by a small blind lantern. The apse closer to the entrance contains a vestibule for visitors. The internal columns and cornice, realized in brickwork, were meant to be in local stone, but the delay in the construction works altered the original design. The stone gargoyles, carved on the cornice of the tiburium and on the corners of the apse roof, are particularly praiseworthy. INTERNAL SCENE  The statues were realized by P.G. Auregio and the painted background frescoes by G. Galliari; both works begun shortly after 1711. The scene depicts a group of maidens in the Temple of Jerusalem, reading or tending to domestic chores under the watch of their tutor. The garments of the 44 characters appear realistically smooth, the drapery finely detailed. The Madonna is portrayed in the apse in front of the entrance, seated to work and surrounded by graceful cherubs. The scene is remarkable for its vivacity and liveliness, further enhanced by the episode of the fight between two maidens in the right apse. Galliari, born to a family of skilful set designers, attempted to dilate the space of the apses by inserting architectural prospectives. Such decorations, although partially altered during the recent restoration works, are amongst the finest of the complex.OTHER PHOTOS Click on the image to see larger details.
            
|
